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Star Tribune from Minneapolis, Minnesota • Page 80
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Star Tribune from Minneapolis, Minnesota • Page 80

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Star Tribunei
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Minneapolis, Minnesota
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80
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tBS0G GCW Woman Depicts Vision of Sky in Welded Steel and Silver By JOHN K. SHERMAN Women got the vote in 1920 and one of the end results is that today they are working in welded metal sculpture instead of painting tulip motifs on china. Not many, true, have yet turned to this rugged form of self-expression, but the fact that Ann Wolfe and a few other women artists have taken up steel and ihe blow torch is as good a symbol as any of female emancipation. I'm sure, however, that Miss Wolfe was thinking less of emancipation than of realizing a plastic idea in creating the objects in her one-man show at the Minne 9 Music City's big 5th Anniversary Sale continues with many more money-saving values. Como in or mail the coupon at the bottom of this ad to get in on the Record Savings noW! WARNER BROS.

MINNEAPOLIS TRIBUNE Nov. 8, 1964 'Changeling' Draws Wrath on Repertory The opening of the second season of the Repertory Theater of Lincoln Center in New York was met with much evidence of displeasure from the city's theater critics. Howard Taubman of the New York Times thought the plav "The Changeling," a 17th century melodrama by Thomas Middleton and William Rowley at least deserved to be done, "A permanent repertory theater that means to serve the drama as an art with a proud history is the place to do it," he wrote. "On this point there can be no doubt however great one's reservations may be about the production." BUT EVEN this point was in dispute. "This Jacobean drama," wrote Jack Gaver, UPI's drama editor, "however FUlt fPFQUfHCf PANGf PfCOPDING apolis Institute of Arts.

Her array or 20 pieces in the Institute's Little Gallery offers the first comprehensive glimpse we've had of this venturesome artist's experiments in metal, which started four years ago. The eight reliefs, most of them on bent and crinkled black steel spotted with silver, are the most interesting and original entries in the exhibition. SPEAKING OF ART I Started Out As A Child Laugh with the funnleit Bill Ce.by I started out is ehlld." i 1 The Incomparable Mantovanl I Wonder Who'. Klulni Her Now; A. Time A Falling Star; Go.

By; Catch A Fallini Star; Where Are You; I Left My Heart In San Frinel.col I'll Be Seeini You; Ye.terday.) Fly Me To The Moon: I'll Get By; September I The Rain: Lent Age And Far Away; More ((rem Mend Cane). Stereo LSI Mem 2.79 summer in New England and has come back with a variety of views, mostly water color, of what she saw and enjoyed. "Variety" is a good word for this artist's work, and "enjoy" is another. Her pictures range from documentaries of old "period" nouses, which have always been one of her specialities, to quick and dashing summaries which have the vibrancy of Raoul Dufy and the shimmer of almost-pointillist abstraction. Fine examples of the latter are her "Blua and Boats," a vertical collection of squarish color daubs that makes a most vivid organization of harbor scenery and clouds above, and "Trinity Church, Boston," where a conglomerate of buildings is whipped into a quick synthesis of dancing strokes.

Mrs. Rollins may hue to the line of the more-or-less recognizable, but her work is anything but stodgy or dated, and there is pleasure to be found both in her dry staccato shorthand and her wet-paper effects where the color soaks and spreads out to dim contours and the combination of the two. Exhilarating, too, is the facility with which she swiftly patterns the rectangle of space and boldly seeks the essentials of the subject, finding order in the actual disorder that confronts her. Pen or thin brush strokes supply a base of good drawing just enough to tie things together and suggest a firm detail or two: introducing specifics into generalizations. NOT SO WELL KNOWN, but deserving to be, is Jack Youngquist, who teaches art at Moorhead State College and who currently is showing at the Kilbride-Bradley Gallery.

Youngquist exhibits a diversity of wares in both oil and water color joyous little still lifes, large panoramas of towns and shorelines, and some strong water colors. These latter, my favorites in the show, have the density of oil and the light manipulation of water color "Mossy Pier" with its blurred edges and moist atmosphere having almost a Japanese effect, and "Gulls in the Rain" evoking wet blobs of birds in droll sleight-of-hand. Youngquist is drawn to the actual thing mostly, but usually he refracts it through a temperament that produces an individual statement He likes the cellular effect of towns and their buildings is cupped in a mountainous valley that writhes like Van Gogh) and he also Is stimulated by the sweeping panoramas of Superior's north shore and San Francisco Bay. Once in a while he is prosily literal as In his "Bayfield Fishing Boats." Curiously offbeat Is "Hospital Tragedy," a drama in brown and ochre tones using swatches of fabric in a scene that suggests rather than explaining its title. JOHN K.

SHERMAN is book and arts critic for the Sunday Minneapolis Tribune and the Minneapolis Star. 4 2.79 3.59 Mono Storoo Mono Stro The Greatest Popular Piano Con Manhattan Slaughter on 1 0th Ave 2.79 3.59 2.79 3.59 3.59 3.59 2.79 2.73 They are unique; I've never seen anything quite like these visions of the sky irregular sheets of undulating steel on which glitter the myriad stars of the Milky Way. These are no astronomer's charts, of course, but variations on a theme of deep outer space spangled with the mysterious pinpoints of an illimitable universe. The silvery star-drifts have focal points of shining knobs and bulges and larger orbs that draw invisible lines of tension and connection. One can stare at these conceptions and be taken on imaginative flight far from the earth and 24th St.

The free-standing pieces in Miss Wolfe's show have figurative implications and are more in familiar trends of metal sculpture. She has four-legged and two-legged creatures, in bronze, that look both like primitive idols and machine-age abstractions, spiky, rather fearsome, dramatically conceived. Two works identified as constructions use machine-shop hardware in combining clean cut planes with curves and rotating effects everything crisp and clearly defined except for rather messy little sutures at the welding joints. Two weldings, "Desert" and "Corner of the Forest," are textured in heat-induced colors that detract, to my mind, from the thrust and basic shapes of the forms, making metal look somehow unmetallic. Altogether, however, Miss Wolfe's exhibition particularly her night skies and Milky Ways is the expression of a vigorous and unconventional mind and hand seeking new vision and new ways of materializing it.

ANOTHER OF OUR WELL-KNOWN women artists Jo Lutz Rollins has a sparkling spread at the West Lake Gallery at 1612 W. Lake St. Mrs. Rollins spent the 2.79 3.59 2.79 3.59 2.79 3.59 2.79 3.59 certos George wreeiey Concerto, Slaughter on 10th Avenue, Rhapsody in Blue, Street Scene, Polonaise, Swedish Rhap- Paul 'And Mary 1 1 Had A Hammer, Lemon Tree, 500 Miles, Where Have All The Flowers Gone Rome Adventure Original Sound Track Featuring: "Al Dila," Ar-rivederci Roma, Come Back To Sorrento, Serenade, Volare Mancini Marches The Marines Hymn, Anchors Aweigh, American Patroi, National Emblem March. The Music Mem Original Sound Track A Great Album from a Great Show, includes such Hits as Seventy-Six Trombones, Till There Was You and More.

Golden Hits of Hawaii Tho OutriggersAlbum includes, Hawaiian Wedding Song, Moon of Mana-koora, Now Is The Hour, Alohe Oe The Very Best Of The Iverly BrothersNewly Recorded This qreat new Album Includes Wake Up Little Susie, By Bye, Love, Cathy's Clown, III I Have To Do Is Dream, Bird Dog, Crying In The Rain Peter, Paul And Mary In Concert This Two Record set includes: Blowin' In The Wind, Blue, If I Had A Hammer, Puff, S00 Miles, It's Raining 2.79 3.59 nue, Harlem Nocturne, Take the Train, Manhattan Lullaby, The Bowery, West Side Story IMariaSomewhere), Bella of New York, Autumn in New York, Giv Mi Regards to Broadway, Manhattan Serenade, Tenement Symphony Latin Rendezvous Granada, Mala-guena, Cielito Undo, Be Mine Tonight, La Paloma, Siboney. Anda-lucia Maria Elena, Perfidia, Es-trallita, Amapola, Espana Film Encores Vol. 1 My Foolish Heart, Unchained Melody, Over the Rainbow, Summertime in Ven-' ice, Intermezzo, Three Coins in the Fountain, Love Is a Many Splendored Thing, Laura, High Noon, Hi-Lill, Hi-Lo, 2 Music from Exodus and Other Great Themes Exodus, Karen, Theme from "A Summer Place," Seventy-Six Trombones, The Sundowners, I Love Paris, The Carousel Waltz, The Sound of Music, 4 others American Waltzes Beautiful Ohio, Clementine, Alice Blue Gown, Missouri Waltz, Let Me Call You Sweetheart, The Whiffenpoof Song, Sweetheart of Sigma Chi, Meet Me in St. Louis, Louis, Sidewalks of New York, 3 others The Big Polka Band Hits Will Glahe Oreh. Liechtensteiner Polka; Just Because; Beer Barrel Polka; Blue Skirt Polka; Pennsylvania Polka: The Fisherwoman From Bodensee; Clarinet Polka; I'd Rather Buy Myself A Tyrolean Hat, etc.

2.79 3.59 2.79 3.59 2.79 3.59 (2 record tot) 5.58 7.18 2.79 3.59 32 reprise RECORDS I I fort I Storoo Mono Davs of Win and Roses, Moon Riv CrM 3s. 3.59 4.57 ENGLAND'S NO 1 SMASH HIT! Twelve by live of the mo.t exciting art lit. on the teen oene today. Their flr.t LP went to Ne. 7 en the ehartt without the help of a big single.

Thl. new LP contains not Ju.t ene big tingle It's All Over Now, but their newe.t Time I. 0 My My Side. 2.79 3.59 A torcFTCAVatWSA lTC? WHTM6LA LOT nobody m- DID Or L0VW6 TAkfr a urns -V HALF MONEY WALK. 6M HAVENT 6.

'1 eiVfc ME, TWELVE fc3 1 AlA GWJJ If SO) SINCE" HOURS a AND I HNS, MB! Mono Stereo well it might be done, is scarcely the sort of thing this ambitious company needs to win friends and influence playgoers. "It can appeal only to the so-called students of the theater, to those interested in seeing how the relics work (Shakespeare excepted). And it is difficult to understand the reasoning behind this selection." "What prompted Director Elia Kazan and the other guiding spirits of this repertory project to choose "The Changeling" is beyond me," wrote John Chapman of the New York Daily News. "IT IS a quaint melodrama with no literary style or at any rate, no literary style that was discoverable in last night's performance," Chapman said, adding, "And last night's acting was almost Invariably awful." WIlHam Glover, Associated Press drama critic, wrote, the production was "merely an earnest experiment defeated by too many gimmicks and too little acting 'The Changeling is rarely revived so the Lincoln Center production does afford documentary opportunity for the curious to look and see why." Walter Kerr of the New York Herald Tribune added: "The simple, staggering and even traumatic misadventure of the evening lies in the patent fact that director Elia Kazan hasn't the least notion of how he means to play the melodrama. "THE Is shot through with glaring deficiencies," said Taubman.

"For some he cannot be held entirely accountable. Not many of the members of the acting company have the training, skill and size for these larger-than-life roles. "But Mr. Kazan alone is responsible for failure of style and taste. With his zest for the large theatric- my The Rolling Stones Net Fade Away; Route it; I Just Want To Make Love To You; Honest I Do; Now I've Got A Witness; Little By Little; I'm A King Bee; Carol; Tell 2.79 3.59 Me; Can I Gat A Witness, etc.

ft PHASE 4 STEREO POP CONCERT SERIES Tchaikovsky: 1812 Op. 49; Nutcracker Suite, Op. 71a The London WHAT tO ASM. TOMORROW U'A5 TO MY" PA you. OMR eWNARDi VJ 4.57 Festival Orchestra Band cond.

by Robert Sharpies I Stereo Tape: LCL 750011 Grofe: Grand Canyon Suite The London 4.57 3.59 3.59 3.59 3.59 3.59 3.59" 3.59 3.59 ffo WHITE HOUSE just auto. lxX er and Other Academy Award Winners Frank Sinatra Also, Love Is Many Splendored Thing, All the Way, Three Coins in the Fountain, Secret Love, The Continental It Might A Well Bo Swing Frank Sinatra and Count Basic More, Hello Dolly, The Good Life, I Can't Stop Loving You, I Wanna Be Around, I Wish You Love, Wives and Lovers What Kind of Fool Am I Sammy Davit, Jr. end other show clappersGonna Climb a Mountain, Once in a Lifetime, Can't We Be Friends, Thou Swell This Tim by Basiel Hits of too 50s and 40s Fly Me to the Moon, I Can't Stop Loving You, I Left My Heart in San Francisco, What Kind of Fool Am I Trini Lopes of P.J.'s I Had a Hammer, A-me-ri-ca, This Land Is Your Land, Down by the Riverside, Gotta Travel on, Granada ly Popular Demand Mora Trini Lopez at P.J.'s Lonesome Traveler, Green Green Oh. Lonsome Me, Kansas City, Walk Right in, Go Into the Mountains, Goody Goody On the Move Trini lopex Ya-Ya, Cotton Fields, Jailer, Bring Me Water, You Can't Say Goodbye, Bye Bye Love Dream with Dean Dean Martin The Intimate Dean Martin sings I Don't Knew Why, My Melancholy Baby, Blue Moon, I'm Con-fessin' Everybody Loves Somebody Deo Martin Contains the hit version of Everybody Loves Somebody. Also: Shutters and Boards, Things, Corrine, Corrina Trini Lopec Live At Basin St.

East A live performance Including La Bamba. Hello Dolly, Bill Bailey Won't You Please Come Home. If I Had a Hammer To You Forever Fred Waring and His Pennsylvanians The Very Thought of You, All of You The Nearness of You, All the Things You Are, Embraceable You, You'd Be So Nice to Come Home to, You Do Something to Me The Door Is Still Open to My Heart Dean Martin's Smash In Another Chart Buster The Door Is Still Open to My Heart, We'll Sing in the Sunshine, You're Nobody Till Somebody Loves You, In the Misty Moonlight THE PtWDBHT Festival Orchestra conducted by Stanley Black IStereo Tape: LCL 750021... 4.5 1 Ravel: Bolero Borodin: Polovtslan Dances from "Prince Igor" London Festival Or V-'AMTS-10 ze to TOMORROW 4.57 II 4.57 4.57 be performed in an intimate theater, such as the Guthrie. The opera will be performed Nov.

28 and 29 and Dec. 5 and 6. 2.79 3.59 chestra 1 Chorus conducted by Stanley Black IStereo Tape: LCL 750031 Capricciol Tctiaikovsky: Capriccie Italien. Rimsky-Korsakov: Copriccio Espagnol The London Festival Orchestra conducted by Stanley Black LONDON PHASE 4 STEREO The Romantic Pianos of Ronnie Aldrich Ronnie Aldrich with The Strings of The London Festival Orchestra Deep Purple; More Than You Know; I'll Never Smile Again; Embraceable You; I Have Dreamed; September Song; I'm In The Mood For Love, etc Werner Muller On Broadway Werner Mul-ler and Orch. There Is Nothin' Like A Dame; Hey, Look Me Over; Oklahoma; Seventy-Six Trombones; She Loves Me; March Of The Siamese Children; Big Clown Balloons; With A Little Bit Of Luck; Get Me To The Church On Time; Let Me Entertain You; Mack The Knife; There's No Business Like Show Film Spectacular Stanley Black cond.

London Festival Orch. West Side Story-Suite (including Tonight; Maria; America; One Hand One Heart; Something's Coming); Exodus; Samson And Delilah; Breakfast At Tiffany's Suite (including Moon Riverl Around The World In Eighty Days; The Longest Day; Henry The Big Country The Magnificent Pianos Of Rormie Aldrich Ebb Tide; The Very Thought Of You; I'll Be Seeing You; Love Letters; Lonq Ago And Far Away; How Deep Is The Ocean; Smoke Gets In Your Eyes; Stella By Starlight; Among My Souvenirs; Darn That Dream; Evening Star; Where Or When Ploy Bach, Vol. 2 Jacques Loussler Trio The Original Jazz Interpretations of the Music of J. S. Bach Partita No.

I IB Flat); Choral; 4.57 Film May Float HOLLYWOOD, Calif. (UPI) Italian Lines steamship company has asked 20th Century-Fox to hold the world premiere of "The Agony and The Ecstasy" aboard its new liner "Michelangelo" on its maiden voyage in March. al gesture and the vivid stage scene, he has deprived the audience of its rightful share in the dramatic experience "There is ample room for simplifying and eliminating obviousness without draining the pulsing, robust blood from the play. If a permanent repertory company cannot work and mend a production, who in our raddled theater ever will." 2.79 3.59 4.57 riiiiT ini Rehearsals Begin on Center Opera's 'Rape of Lucretia' Rehearsals have begun on the Center Opera Company production of "Rape of Lucretia," by Benjamin Britten, which will open the second season of opera at the Tyrone Guthrie Theater Nov. 28.

The plot tells the story of Lucretia, wife of a Roman general, who is raped by Tarquinius, son of the ruling Etruscan king. After Lucretia kills herself, Junius, a self-seeking Roman, turns the tragedy into a revolt against the Etruscan 4.57 PENSIONER? Pulitzer Winner to Adapt 'Accident' NEW YORK, N.Y. Ketti Frings, who won the Pulitzer Prize with her stage adaptation of "Look Homeward, Angel" is going to work on a play version of Elizabeth Jane-way's recent novel, "Accident." The story, which concerns a near-fatal automobile mishap, involves four characters. No production schedule has been a SftToGlnirlxFivo EYES EXAMINED CLASSES FITTED ART CALENDAR 2.79 3.59 A in YOUR HOME AMERICAN TOUR The Dave Clark Five Because, Who Does He Think He It, Lone Ago, Move Over, others. 271 1.59 'ffc Prelude Aria; Prelude 14; Fugue 14; Prelude 21 Ploy Bach, Vol.

1 Jacques Loussler Trio The Original Jazz Interpretations of the Music of J. S. Bach Prelude Fugue Prelude Fugue Toccata; Prelude Pre 1 II CI Call 2.79 3.59 DR. ROBERTA. ATLAS, O.D.

ST 1-2786 Evening Appt. 2428 Central Ave. lude ruque 5 Play Bach, Vol. 3 Jacques Loussler Trio The Oriqinal Jazz Interpretations of the Music of J. S.

Bach Italian Concerto; Two Part In 9 jiliiJJyUeClt ventions (Nos. I -2-5-8-15); Chromatic Fantasia in Minor 2.79 3.59 WHY BE BALD? Play Bach, Vol, 4 Jacques Loussier Trio The Oriqinal Jazz Interpretations of the Music of J. S. Bach Overture fo Cantana No. 28; Excerpts from Choral No.

I No. 2.79 3.59 14; Fantasia Fugue In Minor Mono Storoo 2.79 3.59 2.79 3.59 2.79 3.59 2.79 THE BACHELORS 138ACK AGAINK- ing, Macalester College, St. Paul. Group show, Dayton's Gallery 12, selected paintings, graphics and sculpture. John Youngquist, 34 oils, water colors and drawings, through Friday, Kilbride-Bradley Gallery.

Group show, art works by members of University of Minnesota Art Department, through Nov. 27, Capp Towers Gallery. Cyrus Running, oil paintings, through Nov. 21, St. Olaf Lutheran Church.

Julia Bramwell, water colors, through Friday, Windsor Gallery 5019 France Av. Edina. Christ In Art, reproductions of religious paintings, through Nov. 24, Memorial Hall, Northwestern College. Jo Lutz Rollins, water colors and drawings of New England scenes, through Nov.

23, West Lake Gallery, 1612 W. Lake St. Tours and Lectures Colloquy: "Midwest Art Gap: Yes or No?" panel discussion, 8:30 p.m. Tuesday, Walker Art Center. "Tapestries," Tour of the Month, 2:30 p.m.

Saturday, The Minneapolis Institute of Arts. lobby Vinton's Greatest Hits Mr. Lonely, Roses Are Red, Tell Me Why, My Heart Belongs to Only You, more Around the World with the Village Stompers Mozambique, Oh Marie, I Love Paris, Matilda, many more The Dave Clark Five Return Can't You See That She's Mine, I Need You, I Love You, Rumble, How to Keep Your Husband Happy Debbie Drake Look Slim, Keep Trim Tall Mo Why Bobby Vinton Somewhere Along the Way, When I Lost You, There Goes My Heart, more Washington a The Village Stompers Washington Square, If I Had a Hammer, Walk Right In, Midnight In Moscow, others The Goldbriars Railroad Boy, He Was a Friend of Mine, Come Walk Me Out, Alabama Bound, more rulers. John Work will play Tarquinius; Joan Lindusky will be Lucretia. Work sang the lead in Dominick Argento's a of Angels" in its world premiere at the Guthrie last year.

Miss Landusky has performed with the Minneapolis Symphony and the St. Paul Civic Opera. Lucretia, written for eight voices and a small orchestra, was chosen, according to General Manager John Ludwig, because it has a dynamic plot and was designed to BACK AGAIN Moonlight And Rn.es; Ramona; I'll Be With You In Aoole Bloiion) Time; I Weuldn't Trade You For The World i Melody Ot Love; I The Little White Cloud That Cried i with The.e Put Your Arms Around Me, Honey; Maybe; e'e flet The Whole World In 1 1 Hinds; Pagan Leva Rone; Ten Pretty Girls, 2.79 3.69 2.79 3.59 t. tlx Jujhm-I fc.irm.- -4ftx it, ulkw nuffli -toMi---. 1 I A K.

I' i i 4 i i tr rrl v.AJ.fc New Shows Robert Kilbride, paintings, drawings and prints, open Friday for three weeks, Kilbride-Bradley Art Gallery, 68 S. 10th St. Mrs. Betty Feilzer, oils, watercolors and other media, this week through Nov. 20, YVVCA cafeteria, 1130 Nicollet Av.

Keith Havens, watercolors, Monday through Nov. 27, Student Center, University of Minnesota, St. Paul. Mankato, Minn. Iowa Print Traveling Exhibit, Monday through Nov.

27, 1 to 5 p.m., weekdays, Mankato Citizens Telephone Co. Winona, Minn. Works by Christian Brothers novices, Monday through Nov. 30, Murray Hall Lounge, College of St. Thomas.

E. Platou Gallaher, oil paintings, through November, lounge Curtis Hotel. Continuing 1964 Biennial of Painting and Sculpture, 123 works, through Nov. 29, Walker Art Center. Richard Sussman, water colors and sketches, through next Sunday; Goya's Caprichos, a selection, through Nov.

29; Ann Wolfe, sculpture, through Nov. I Minneapolis Institute of Arts. Salon Des Refuses worked rejected from Walker Art Center Biennial, Bottega Gallery. Industrial Arts and Design, The American Swedish Institute. John Rood, sculpture 1942-12, through Nov.

29; Holland: The New Generation, 11 young Dutch painters, through next Sunday, University Gallery. The Bold Tradition, Mexican ft, through Nov. 17, Student enter, University of Minnesota, St. Paul. Mark Freeman, oil paintings, through Nov.

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